Start with something familiar
The soft cushion and the earcup form a physical barrier. Even with the electronics off, they can change how sound gets through. Fit, materials and frequency matter.
Open a headphone, line up two pressure changes, then keep your setting while the sound changes. Discover why timing, microphones and location matter—and inspect a real measured acoustic path.
Enable JavaScript to change the conditions and run the interactive experiment.
Sound makes pressure vary. A speaker can add another variation. Where a push and a pull line up with the right size and timing, their total can get smaller. The quiet result belongs to a place and a set of conditions.
What would happen if we add a pressure change that is opposite but only half as big?
At the same place and time, +1 and −0.5 add to +0.5. Good timing and the right size both matter.
The soft cushion and the earcup form a physical barrier. Even with the electronics off, they can change how sound gets through. Fit, materials and frequency matter.
An outer microphone can provide information about the disturbance. An inner microphone can check pressure near the listening region. They serve different roles; neither magically identifies everything a listener wants to hear.
The driver is a small loudspeaker. Electronics shape its signal so the secondary sound can oppose some unwanted pressure at a target. This is active noise cancellation, often shortened to ANC.
The three traces are pressure variations at the same place: the original sound, the added sound, and their point-by-point sum. A flat zero means no variation in this ideal example, not a vacuum.
A tiny delay is a different fraction of a slow cycle and a fast cycle. Keep the gain and phase fixed while changing frequency. A setting that helps one component can reinforce another.
Our two fixed plane waves can oppose at one point and reinforce elsewhere. Retuning moves the node. A headphone normally moves with the wearer’s head, so this bare-probe experiment is not an earcup fit simulation.
For an unexpected arrival, processing and secondary sound travel both take time. A response that arrives later cannot erase pressure that already arrived. A known repeating tone presents a different prediction problem.
Real speakers, microphones and acoustic spaces have frequency-dependent responses. The evidence view shows original stored coefficients from a measured path, with its sample rate and processing history attached.
The added pressure is g cos(2πft + θ − 2πfτ). Here θ is its actual phase before the explicit delay τ. The original pressure is cos(2πft). At gain g = 1, delay 0 and θ = 180°, their sum is ideally zero.
The residual-to-original amplitude ratio is R = √(1 + g² + 2g cos(θ − 2πfτ)). Equal-frequency correlated pressures must be added before squaring. Adding their separate dB values would give the wrong result.
For this single-frequency comparison, the change is 20 log₁₀ R. With correct opposition and gain 0.8, R = 0.2, or about −13.98 dB relative pressure. That is not a claim of 80% less perceived loudness. Exact zero is shown explicitly, not mislabeled 0 dB.
With gain 1, phase 180° and delay 0.25 ms, the model gives about −16.09 dB at 100 Hz, −2.32 dB at 500 Hz, +3.01 dB at 1000 Hz and +6.02 dB at 2000 Hz. These are analytic examples, not the response curve of a retail headphone.
For equal-amplitude 100 Hz and 1000 Hz components, average their mean-square contributions over common complete cycles. At the quarter-millisecond setting, their combined change is about +0.053 dB. Strong bass reduction does not guarantee a reduction of the total.
Two equal-amplitude plane waves travel in opposite directions. With cancellation tuned at x₀, the residual amplitude ratio is 2|sin(2πf(x − x₀)/c)|. We fix c = 343 m/s as an illustrative value. Nodes repeat at half-wavelength intervals; this is not a universal spherical quiet bubble.
Around a node, the region with at least 10 dB pressure reduction has half-width λ/(2π) asin(10^(−10/20)/2). It is about 8.67 cm at 100 Hz and 0.867 cm at 1000 Hz in this particular geometry. Those are model dimensions, not measured headphone fit tolerances.
For our authored example, noise travels 30 mm in 87.46 microseconds. Secondary sound travels 10 mm in 29.15 microseconds. That leaves 58.31 microseconds for processing. A 40-microsecond delay can arrive early; an 80-microsecond delay arrives about 21.69 microseconds late. Early arrival alone does not prove a correct filter.
Feedforward uses reference information, often sensed outside. Feedback uses a residual measurement, often inside. Hybrid architectures combine information. Designs vary, and a microphone’s response need not equal the response at the eardrum.
Using the additive convention e = d + S·y, with d = P·x and y = W·x, formal cancellation suggests W = −P/S wherever defined. A usable controller must also address causality, stability, conditioning, limits and changing paths. The ratio is not a ready-to-run safe controller.
PANDAR’s modified QC20 hardware had the original Bose ANC electronics removed. One stored record has 8,192 samples at 48 kHz per channel. Its preprocessed coefficients retain the electronic backend here and have unspecified stored units. They are not a noise recording, pressure in pascals, hearing sensitivity or achieved cancellation.
This lesson calculates pressure superposition. It does not calculate the complete pressure/particle-velocity energy flow. A node is not evidence that acoustic energy or the outside source vanished everywhere.
Predictable low-frequency components can be more forgiving to control than arbitrary fast changes. The particular device, paths, fit and algorithm still determine actual performance.
The same broad components can intentionally relay surroundings instead of opposing them. Trace the goal and information route before assuming that every listening mode means silence.
Engineers measure paths and test residuals at relevant targets. Our real impulse-response download shows why a plausible waveform and an attractive cutaway are not enough to establish product performance.
On strip A, mark equally spaced values: 0, +1, 0, −1, 0, +1, 0, −1. These are invented pressure variations at one place at consecutive times.
On B, write 0, −1, 0, +1, 0, −1, 0, +1. Align the columns and add each pair on a third row. Predict the total before looking.
Treat the pattern as repeating. Shift B right so it reads +1, 0, −1, 0, +1, 0, −1, 0. Add again: +1, +1, −1, −1, +1, +1, −1, −1. Timing alone changed the result.
Restore the original alignment but halve B’s nonzero values. The sum is now half of A. Both correct timing and correct size are needed for a flat total.
Write one sentence about real air, speakers and microphone paths. A circular shift assumes a repeating signal; it cannot provide future samples of an unexpected arrival.
Why did sliding the strip change the result without changing its size?
An original signed-addition activity. No headphones, sound sources, microphones, apps or hearing tests are needed. The marks are not the physical path of air; this does not measure ANC performance.
Two pressure variations partly opposed each other at the target Pressure variations add at the same position and time.
The cushion and enclosure Passive isolation has a different mechanism from electronic cancellation.
20% of the original pressure amplitude |1 − 0.8| = 0.2, about −13.98 dB relative in this model.
The delay occupies more of each faster cycle Here the delay error changes from 9° to 90°.
No; relative phase can change with position Move the probe without retuning to test the spatial prediction.
No; usable information and arrival time matter The timing race differs from aligning an established repeating tone.
Relays surrounding sound through an electronic listening route It serves a different goal from reducing surrounding sound.
No; rating, fit and actual exposure matter Consumer cancellation is not automatically rated protective equipment.
Original ICA 2019 paper. Modified QC20 acoustics, with original Bose control electronics removed; measured fit and direction variation.
Liebich, Fabry, Jax & Vary · PANDAR (2019)RWTH-owned archive. MIT license retained. Our local extraction preserves raw stored values and the documented electronic backend.
RWTH Aachen · PANDAR databaseOriginal analytical and experimental study. Supports timing constraints, not a universal frequency cutoff.
Zhang & Qiu · Applied Acoustics (2014)Institutional paper record and full text.
University of Technology Sydney · timing studyOriginal controller optimization and dummy-ear experiment; stability and noise enhancement constraints.
An, Wu & Liu · Applied Sciences (2022)Original compensation study. ANC is not guaranteed to mathematically leave all program audio untouched.
An, Wu & Liu · Processes (2022)Manufacturer explanation used for basic product operation, not comparative performance claims.
Bose · how noise cancellation worksOfficial mode description. Generic relaying of surrounding sound does not guarantee every warning will be heard.
Apple · cancellation and TransparencyNIOSH distinguishes consumer cancellation from products labeled with a noise reduction rating; fit and exposure remain relevant.
CDC/NIOSH · hearing protectionAgency background. This silent exploration does not prescribe playback levels or test a learner’s hearing.
NIDCD · noise-induced hearing lossUS2043416A, published June 9, 1936, with 1933 German priority. A patent documents a proposal, not every claimed practical result.
Paul Lueg · original patentFlorian Fuchs/Wikipedia/CC-BY-SA 3.0. Whole photograph resized to WebP. QC25 exterior, not the PANDAR hardware or our generic internals.
Florian Fuchs · actual QC25 photographIndependent subject review is pending.
Read the sources and model assumptions